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Norfolk Piano Man is Looking for a Home for His Collection

Norfolk Piano Man is Looking for a Home for His Collection

“All our pianos have their own character and a lot of them are from famous makers. Bill is getting older and at some point this collection will die. From my point of view I would like to see him get an apprentice to learn about it so the collection can carry on. We cannot do anything more with it or raise funds until we have a building. Because everything is so crammed it is soul destroying even to go and look at it.”

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The Etude, May 1913. Presser’s Musical Magazine. Schubert and His Friends.

The Etude, May 1913. Presser’s Musical Magazine. Schubert and His Friends.

Franz Schubert (1797-1828) at the piano, playing for his friends while some of them sing. Appreciation of Schubert’s music while he was alive was limited to a relatively small circle of admirers in Vienna, as on the Etude cover, but interest in his work increased significantly in the decades immediately after his death.

Source: http://books0977.tumblr.com/post/65055735676/the-etude-may-1913-pressers-musical-magazine

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Why the Progress You Make in the Practice Room Seems to Disappear Overnight

Have you ever been frustrated by the fact that you can take a difficult passage, work on it for a bit, get it sounding pretty good, but return to the practice room the next day to discover that you’re back at square 1? That nothing has really changed? And despite how good it sounded yesterday, now it sounds just as bad as it did before you worked on it?

Continue reading Why the Progress You Make in the Practice Room Seems to Disappear Overnight

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Bösendorfer – 185th Anniversary Concert

From Classic to Modern and the launch of Opus 50,000

Bösendorfer Vienna held a special concert to commemorate their 185th birthday on Tuesday, 22nd October 2013. Performers included Paul Badura-Skoda, Valentina Lisitsa, Jan Jiracek von Arnim, Maria Mazo, Carlo Grante, Janoska Ensemble, Marialy Pacheco, Daniel Serafin.

This was  also be the official release of their 50,000th special edition model piano, which evokes the interior of the Musikverein, Vienna’s historic concert hall. Like the hall, the instrument is bedecked with gold leaf and caryatids – although the final effect is softly neo-classical, in stark contrast to the recent Bechstein ‘golden grand’ . The piano is a 225 model that sports four extra keys in the bass to contra F. On average a Bösendorfer takes a year to make and special models can take considerably longer. So ‘Opus No 50.000’ did not exactly roll off the production line. (In fact, Mr Kemble revealed that it was only just completed in time for the launch).

 

http://www.boesendorfer.com/en/current-news.html?page=9293